Ghost Riders

WAYNE HAD DRUNK AND GAMBLED clear through the night. He’d cheated. He’d bullied. He’d left the barmaid in tears, the red imprint of fingers on her arm.

Now he staggered from the saloon, jug of whisky in hand. He ducked his horse’s ill-tempered bite, hauled himself into the saddle, then headed for the road out of town.

On his ride back to the canyon, three times he shook himself awake to find old Coot grazing off the path. Spurs and whip used with abandon got the cowpony moving again, with many snorts and insults on both sides.

No such luck when they came to a stream moseying down from the hills. When Wayne  wouldn’t let the cowpony drink, Coot bucked his rider clean off and refused to budge till he’d gotten his fill of water.

Wayne dusted himself off. Had he forgotten to stop at the watering trough before leaving town? Tough luck.

“You ain’t the only thirsty critter ’round here,” the cowpoke growled as they got back on their way. He started in on his jug. Whiskey would shorten his long trek back to the ranch.

Early 20th century painting
Arizona Cowboy,” 1901, by Frederic Remington (1861-1909)

Once again Wayne roused from torpor to find his cowpony rooted to one spot. Cussing up a blue streak he kicked heels hard, but the horse only backed up a pace. The cowpoke fumbled for his whip, but he must have dropped it along the trail.

His brain cleared enough to notice something off. Coot quivered beneath him. Neck arched. Ears flicking all directions.

“Tarnation!” Wayne yelped when he saw they stood at the brink of a cliff.

Backs to the setting sun, their shadows splashed against another rocky wall — the far side of a draw. The steep-sided gully dropped away into darkness. Ahead of them, leaping up from the tablelands, stood a wall of ragged clouds roiling in purple and gold. A growing wind whisked the tang of sage, the twang of coming rain. Lightning flickered afar off.

19th century painting
Storm in the Rocky Mountains…,” 1869, by Albert Bierstadt (1830-1902)

Coot still wouldn’t budge, even when Wayne urged him to back up. Now the cowpony seemed to gaze up at the clouds. His shiver had turned to shaking.

Wayne gulped. One towering cloud had spilled a streamer that rushed his way, bursting into puffs that reshaped into the form of cattle. A herd thundering straight at him.

Red eyes. Black, shiny horns. Hooves that glinted like steel.

Wayne gasped. Their brands still flickered with flames!

And behind them came gaunt-faced riders, astride horses snorting fire!

The ghostly troop raced past, all but one rider who wheeled about in a tight circle. “If ya want ta save yer soul from hell a-ridin’ on our range, then cowboy, change yer ways this day, or with us you will ride a-tryin’ ta ketch the devil’s herd across these endless skies!” *

The cowpony’s terror broke all bounds. Coot whirled and fled, Wayne clinging to his back for dear life.

Life, dear life. Days, months, years — how long would it take to change his ways truly and deeply?


Based on the country western song “(Ghost) Riders in the Sky.”

* The ghost’s words: from the last verse of the song.

According to songwriter Stan Jones, when he was twelve an old Apache (?) from Cochise County, Arizona, told him of his people’s belief that after death your spirit rides like a ghost in the sky.

Later Stan told this to a young friend, and they sat looking at clouds, finding shapes like ghost riders.

Years later Stan wrote lyrics based on this idea — and echoing old European myths of the Wild Hunt.

“(Ghost) Riders in the Sky” timeline:
– 1926: inspired by a legend heard around this time
– 1948: written
– 1949: first produced, to be performed by many artists including Burl Ives and Bing Crosby
– 1979: Johnny Cash’s release of the song

“Members of the Western Writers of America chose it as the greatest Western song of all time.” (Wikipedia)

text: © 2022 Joyce Holt

artwork: 19th and early 20th century century paintings. Public domain info here.

Midnight on Sothaug

Early 20th century painting
A Rider Rode Forth,” 1915, by John Bauer (1882-1918)

TORBJØRN MANAGED TO HAUL HIMSELF INTO THE SADDLE without toppling over the other side. His horse Blanke blew a patient sigh and headed for home, heedless of slack reins and slack legs. A fume of barley breath soured the night air.

Blanke twitched her ears. No sound of jingling coins, as on the ride to the alehouse. He had spent it all.

Torbjørn was too drunk to turn Blanke onto the roundabout path he always chose. She took the main trail, the easy route that led from Seljord to Kviteseid. If this path was good enough for daytime, why not at night?

Only once did Blanke have to give a half-buck, sliding Torbjørn back into position in the saddle. She made good time under the light of the full moon. All went well– until she came to where the path rose over the odd hillock near Brunkeberg.

Blanke started up the short slope. Dread crept over her like a flooding tide. As she neared the summit, terror gripped her heart with such a grasp that her legs wobbled. She feared to take another step, stood there trembling, flicking her ears, rolling her eyes though no threat was to be seen.

Torbjørn gave her ribs a weak kick. “Up now, Blanke,” he mumbled. “Why’re you stopping here, middle of nowhere?”

She couldn’t move. Chilled to the heart, frozen by the swirling sense of menace that sprang from the ground like unseen brambles of ice and death, she couldn’t budge from her wide-legged stance.

The moon crept down the western sky. Torbjørn regained half his senses. He cursed and swore, thudded heels into Blanke’s lathered flanks, hauled on the reins.

Her heart pounded each moment, thundering in the lessening dark.

As dawn’s first glimmer touched the eastern sky, Torbjørn finally slid out of the saddle, staggered to Blanke’s head. He stared cross-eyed, slowly coming into focus. He frowned. “What’s wrong, old girl?” He felt down her legs, straightened, scratched his head, at last took a look around.

He gasped in horror. “On Sothaug!” he cried. “The haunted grave-mound! What are we doing here? Fool horse, why did you not take the safe way?” He hauled on the reins.

Blanke’s neck stretched at his pull, her legs still rooted to the ground.

Torbjørn’s fear-scent now stronger than the odor of spilled ale, the man bent to look ahead through the bridle ring, the one sure way to see the unseen.

He choked on a cry, yanked again on the reins but this time to turn full around.

Blanke’s legs came free. She stumbled after him in a panicked retreat. She passed him, surging into a trot. He grabbed the saddle, clung for dear life as she dragged him along.

Beyond three turns of the trail, she let him call a stop long enough to mount, then they galloped back to Seljord. “The ghost of Sote!” he cried to folk they passed. “Sothaug at midnight– Sote nearly had us!”


folktale from Kviteseid, Telemark, Norway

text: © 2022 Joyce Holt

artwork: early 20th century painting. Public domain info here.

Something to Swill

GUNNAR GJESMANN SWILLED ANOTHER HORNFUL OF ALE. Drink flowed like a stream all evening, for his good friend Knut had brought a full cask in honor of Gunnar’s birthday.

Bengt held out his drinking horn for a refill. “Skål!” he toasted Gunnar, then chugged the whole serving. When your mug is a curving, pointed cow’s horn, there’s no putting it down until it’s empty.

“A rill of ale, don’t spill the pail!” Bengt chanted, spraying spittle.

“I will not fail, ” Knut warbled, slightly cross-eyed as he lifted his horn to the man of the hour. “You still look pale.”

When the cask ran dry, the men staggered to their feet and headed for the stable. “I’ll go with, to the crossroads,” Gunnar said as he hauled himself into the saddle. “Safety in numbers and all that.”

“You think we can’t get ourselves home?” Knut asked, scorn in his voice.

“Path runs by Vellar Hill,” Gunnar said. “Mound folk there. Draugs, you know. The walking dead. ‘Specially haunted, night of a full moon like this.”

“Suit yourself,” Bengt said.

Early 20th century painting
The Boy Who Was Never Afraid,” 1912, by John Bauer (1882-1918)

The trio caroused along the road. Moonlight gilded the dirt track silver, though it dimmed to inky gloom in the lee of Vellar Hill.

Knut tipped his cap toward the mound and took the road east.

Bengt gave a respectful nod and turned north.

Gunnar swayed in the saddle as he bid them farewell, then gazed up at the mound crowning the rise. “It’s my birthday!” he shouted to the mound folk. “Get up, draug, in Vellar Hill!* Give Gunnar Gjesmann something to swill! * “

“Sure, you’ll get something! * ” cried a scratchy voice from the hill. Heavy footsteps sounded.

Gunnar’s eyes went round. Dread clawed at his guts. He whipped up his horse and headed for home.

Footfalls pounded behind him, growing louder.

Gunnar lashed his mount’s flanks. “Faster!” he yelled, feeling a glimmer of hope when Greina river came into sight. Foul creatures cannot cross running water.

Gunnar goaded his horse into the river, hooves splashing. They’d made it to safety.

Not quite. Gunnar glanced back just as the draug threw a huge drinking horn. It hit the horse’s rump, spilling the contents.

The mare screamed in pain as it staggered ashore amid the stench of burning hair and scorching hide.

Gunnar slid from the saddle and led the wild-eyed horse into the shelter of the forest. He looked back at the river.

No sign of the draug on the far shore.

Something bobbed in the water, drifting slowly downstream.

Gunnar dashed out, splashed out, nudged the great drinking horn. The current sloshed it, washed it clean.

With thumb and forefinger he picked it up. No foul smell. No blistering of his fingers.

Gunnar tucked the draug’s horn under his arm and walked home to Gjærnes, his mare limping along behind.

The great horn can be found in Gjærnes to this very day.*

19th century painting
Travellers Crossing a River,” 1874, by Carl Bloch (1834-1890)

* phrases taken straight from the folktale, from Bø, Telemark, Norway (except the tale said “drink” instead of “swill.”)

text: © 2022 Joyce Holt

artwork: 19th and early 20th century paintings. Public domain info here.