Ghost Riders

WAYNE HAD DRUNK AND GAMBLED clear through the night. He’d cheated. He’d bullied. He’d left the barmaid in tears, the red imprint of fingers on her arm.

Now he staggered from the saloon, jug of whisky in hand. He ducked his horse’s ill-tempered bite, hauled himself into the saddle, then headed for the road out of town.

On his ride back to the canyon, three times he shook himself awake to find old Coot grazing off the path. Spurs and whip used with abandon got the cowpony moving again, with many snorts and insults on both sides.

No such luck when they came to a stream moseying down from the hills. When Wayne  wouldn’t let the cowpony drink, Coot bucked his rider clean off and refused to budge till he’d gotten his fill of water.

Wayne dusted himself off. Had he forgotten to stop at the watering trough before leaving town? Tough luck.

“You ain’t the only thirsty critter ’round here,” the cowpoke growled as they got back on their way. He started in on his jug. Whiskey would shorten his long trek back to the ranch.

Early 20th century painting
Arizona Cowboy,” 1901, by Frederic Remington (1861-1909)

Once again Wayne roused from torpor to find his cowpony rooted to one spot. Cussing up a blue streak he kicked heels hard, but the horse only backed up a pace. The cowpoke fumbled for his whip, but he must have dropped it along the trail.

His brain cleared enough to notice something off. Coot quivered beneath him. Neck arched. Ears flicking all directions.

“Tarnation!” Wayne yelped when he saw they stood at the brink of a cliff.

Backs to the setting sun, their shadows splashed against another rocky wall — the far side of a draw. The steep-sided gully dropped away into darkness. Ahead of them, leaping up from the tablelands, stood a wall of ragged clouds roiling in purple and gold. A growing wind whisked the tang of sage, the twang of coming rain. Lightning flickered afar off.

19th century painting
Storm in the Rocky Mountains…,” 1869, by Albert Bierstadt (1830-1902)

Coot still wouldn’t budge, even when Wayne urged him to back up. Now the cowpony seemed to gaze up at the clouds. His shiver had turned to shaking.

Wayne gulped. One towering cloud had spilled a streamer that rushed his way, bursting into puffs that reshaped into the form of cattle. A herd thundering straight at him.

Red eyes. Black, shiny horns. Hooves that glinted like steel.

Wayne gasped. Their brands still flickered with flames!

And behind them came gaunt-faced riders, astride horses snorting fire!

The ghostly troop raced past, all but one rider who wheeled about in a tight circle. “If ya want ta save yer soul from hell a-ridin’ on our range, then cowboy, change yer ways this day, or with us you will ride a-tryin’ ta ketch the devil’s herd across these endless skies!” *

The cowpony’s terror broke all bounds. Coot whirled and fled, Wayne clinging to his back for dear life.

Life, dear life. Days, months, years — how long would it take to change his ways truly and deeply?


Based on the country western song “(Ghost) Riders in the Sky.”

* The ghost’s words: from the last verse of the song.

According to songwriter Stan Jones, when he was twelve an old Apache (?) from Cochise County, Arizona, told him of his people’s belief that after death your spirit rides like a ghost in the sky.

Later Stan told this to a young friend, and they sat looking at clouds, finding shapes like ghost riders.

Years later Stan wrote lyrics based on this idea — and echoing old European myths of the Wild Hunt.

“(Ghost) Riders in the Sky” timeline:
– 1926: inspired by a legend heard around this time
– 1948: written
– 1949: first produced, to be performed by many artists including Burl Ives and Bing Crosby
– 1979: Johnny Cash’s release of the song

“Members of the Western Writers of America chose it as the greatest Western song of all time.” (Wikipedia)

text: © 2022 Joyce Holt

artwork: 19th and early 20th century century paintings. Public domain info here.

In the Nick

SIF STRODE OUT TO THE COURTYARD. Ash trees leaned over the wall, leaves quivering in the breeze and casting speckled shadows across banquet table and gilded chairs. “Bryn,” Sif called. “Have you seen my husband?”

A dark-haired young woman looked up from the dagger she was whetting. “No. What has he done this time?”

Sif tossed her golden tresses. “Do I look upset? Just curious. See what I found in the household treasure chest!”

Sif set out a board and markers

“A hnefatafl game,” Bryn said, sheathing her dagger. “Made of gold! Has he been dealing with the dwarves again?”

“I don’t know. None of my jewels are missing, so he must have won this some other way. Play a round?”

photo of a hnefltafl game board
photo of a hnefltafl game board and pieces, by Vinicius “amnx” Amano on Unsplash

The two women tossed a golden die to see who would field a king and defenders, and who would man the attacking army. Bryn’s thin lips sharpened into a predatory smile. She gathered up her game pieces. “I have yet to lose when I invade.”

Sif bristled. “I have yet to lose when I defend. Feel like wagering on the outcome of our game?”

After much dickering the two agreed on their stakes. A magnificent ruby on Sif’s part, and on Bryn’s, the pick of the loot from her next foray to Midgard.

The golden die rolled on the banquet table’s inlay, chiming like a bell. The players placed their pieces, one by one. Bryn made her moves with swift sure steps, her attackers clicking like talons on bone. Sif took longer on her turns, sliding the defenders with the softest of whisks.

Sif lost ground, then regained it. Bryn cursed, and songbirds scattered.

Footsteps tromped about inside the hall, and a voice thundered, “By Odin, what thief dares break into my chest?”

“Out here, husband dear,” Sif called. “No one’s stolen anything. I found it and came looking for you, but thought I’d give it a–“

“Fool woman, put that down!”

Sif scowled at the hulking redbeard in the doorway. “It can wait a moment. I’m just two steps from winning–“

“No, you’re not.” The Valkyrie Brynhildr rose with an invader piece in hand. “Because I’m just one step from–“

Thor whirled his hammer, though he did not release.

Brynhildr staggered back, and the game piece went flying.

“Put,” Thor shouted, “those–pieces–down!” With each word-blast he stomped a great stride across the courtyard.

Both women meekly obeyed.

“Now gather them back to the starting positions,” he ordered.

High above Asgard an eagle screamed. Two ravens circled Odin’s watchtower. A squirrel nattered in the ash branches.

Thor listened to the tidings, then turned to his wife. “This board came from the Norns, the spinners of fate. Your idle game here set in motion a war in the world of mankind. We nearly lost our greatest flock of adherents! But truce has been called, in the nick of time.”

Sif sniffed. “Men and their toys!”

Early 20th century painting of Valhalla
Walhall,” about 1905, by Emil Doepler (1855-1922)

Loosely based on Norse mythology. The Old Norse played hnefltafl, a distant cousin of chess. Attackers and defenders had different numbers of playing pieces, and the board was marked with areas of refuge or blockade.

text: © 2022 Joyce Holt

artwork: early 20th century century painting. Public domain info here.

Bundle of Sticks

KJETIL HAULED BIRCH SAPLINGS down the steep trail to the lake. “You owe me an explanation,” he called to his friend, who bent over another pile of staves, already stripped of twigs and leaves.

Anstein leaped up. “Ah, you got my message. I knew I could count on your help.”

Kjetil dumped his burden, looked from the birch rods to the rowboat drawn up on the shingle, to ominously still water. “What is this? Another crazy scheme to cross the lake? Just saddle your horse and take the trails around.”

“I saddled up this morning all right, but rode into the mountains instead.  All the way to Old Hæge’s hut.”

Kjetil snorted. “Did you tell the wisewoman why you want to cross the lake every other day?”

“Wasn’t going to, but she guessed.” Anstein’s ears turned red.  “She laughed at first, but took pity on me. Said nothing should stand in the way of true love.”

“These birch rods. How are they supposed to save you from the lake serpent?”

“She told me to sharpen both ends and bundle them up loosely. If the serpent comes after us, we cast the bundles out. And then we—”

“We? Us?”

“Then we row like mad for the south shore.”

Kjetil shook his head. “Then you row like mad. I’ll sit here watching, and sing your lament.”

“When has the wisewoman’s advice ever gone wrong?” Whistling a love song Anstein went back to sharpening the rods, ignoring Kjetil’s arguments. “I’m going with or without you. I have full confidence in Old Hæge.”

Kjetil watched, scowling, as Anstein lashed the rods in two loose bundles, stowed them, and dragged the rowboat down the shingle. Kjetil groaned in disgust and went to join him. “I’m going to regret this,” he muttered as he helped shove off. He took an oar.

19th century painting of a rowboat on a Norse lake
Analkande Oväder,” 1871, by Hans Gude (1825-1903)

They rowed as quietly as possible, glancing in all directions. Halfway across the long narrow fjord, Kjetil lurched, staring back north, the way they’d come. A shadow in the water speared toward the boat.  “It’s coming!”

Anstein tossed one rod-bundle into the boat’s wake.

Kjetil threw the other.

They took to the oars and rowed like mad.

Where one rod-bundle floated, the water erupted. Through spray, Kjetil saw the decoy snatched by a saber-jawed snout — followed by an evil-eyed skull — and neck — and long sinuous body, arching from the depths and plunging down again.

Lake water rained all around. Waves heaved like rapids. Gasping, Anstein and Kjetil threw their all into the rowing.

The monster burst from below again, flailing, thrashing, spewing bloody spittle. It snapped in fury at the second rod-bundle as if it was to blame for the agony. It wheeled about and streaked northeastward through the water. It writhed up the shingle, through scrub and thicket, and vanished into a cleft in the cliff opposite.

Anstein grinned as they rowed the last stretch. “Safe across! Come courting with me. Astrid has a lovely sister.”

“Not on your life!” Kjetil took a seat on a boulder and stared across the waters. “I’m watching that cave. When the beast comes out, someone needs to raise the alarm.”

“I can always count on you.” Anstein strode up the steep trail, his whistle pealing a love song over the haunted lake.

19th century art of a reflection in a lake
Aspen Bloer,” by Theodor Severin Kittelsen (1857-1914)

Folktale from Kviteseid, Telemark, Norway, about the serpent in Lake Kviteseidvatn. It is said the serpent (or orm) never emerged from its lair (or far). That hillside has ever since been called Ormfarberg: Serpent-Lair-Mountain.

text: © 2022 Joyce Holt

artwork: 19th century century paintings. Public domain info here.

Cannons on Chesapeake Bay

~ September 5, 1871 ~

On the cape to the NORTH: Christ Church, Lancaster County, Virginia

WHEN RACHEL CHOWNING HEARD the clatter of galloping hooves, she set aside the basket of beans she’d been shelling and went to the cabin door.

“The British are coming!” boys’ voices whooped from the lane.

“Ships sailing into the bay!”

“Warships! Cannons on deck!”

“Union Jack flying!”

“They’ve come to save General Cornwallis!”

The young riders thundered away, spreading the news.

Rachel’s six-year-old son cheered after them from the top of the fence where he had clambered, barefoot in spite of the rough, prickly grass stubble in the yard.

“John,” Rachel called. “Grab your jacket and boots.”

“Why? It’s plenty warm!”

“It’s chilly on the point. Wind always blowing. Boots on. Get your jacket while I saddle the mare.” She drew on her riding pantaloons beneath her skirts, tied on bonnet and shawl, and headed for the stable.

“Are we going to find Papa?” John climbed from a barrel to the top of the stall partition. “Will he be at the point?”

“No, he’s far away.” Rachel cinched saddle straps, turned the mare to the mounting block, then vaulted astride with a swirl of skirts. The army needed all the doctors they could get. Her husband, William Briscoe, had joined a year ago, an asset to the Republic even at the ripe old age of forty-one.

“Still treating sick soldiers?” John hopped across to the horse’s rump.

“That’s right. Now hold tight around my waist.” The 25-year-old urged the mare to a trot. No need to ride lady-like, prim and proper, in times of war.

The lane led south out of the town of Christ Church. At the next settlement it swung southeast, and for twenty minutes they rode, spurring to an occasional canter.

Rachel slowed the mare to a cooling walk as they neared Windmill Point. They broke out of scrubby woodland, and Chesapeake Bay unfurled before them. The bay stretched inland to the left, clear up north to Baltimore and the mouth of the Susquehanna River.

A brisk sea wind blew from the north-northeast, welcome relief after the sweltering humidity of August. She could barely make out Cape Charles, twenty miles to the east, a smudge on the shimmering horizon.

Straight ahead to the southeast, the way to open ocean, a line of ships rode the swells. Prows first. Heading inland from the Atlantic. Sails billowing and flags flying. Flags bearing Britain’s colors.

“I see them!” John cried in delight. “One, two, three–“

“We need a spyglass,” Rachel said, squinting into the distance.

“Where are they going?”

“They’ll try for Yorktown.” Rachel waved to the right. “Two points down, at Yorktown. They must be trying to free General Cornwallis from the siege.”

“Corn Wally? Who’s that?”

Rachel curled her lip. “The British sent him to take control of our colony. Just two months ago he sailed in with his troops and started building a fort there. But the French are helping us. We have him surrounded. Now he can’t get out, and he’s stuck in there, short on food.”

John looked out in the bay. “I see seventeen ships coming. What will they do?”

Rachel shaded her eyes against the midmorning glare. “I count nineteen. I think they’ll try to chase away any American ships, and land more troops, and bring the general more provisions.”

“Look, Mama, look! More ships! Where did they come from?”

It was Rachel’s turn to whoop. “It’s the French! They’ve been drawn up around Yorktown, keeping Cornwallis from coming out. Now they’re going out to meet the enemy. Count them, John!”

The boy ticked off each ship as it heeled out into the bay, forming a rough line. “Twenty-four! We outnumber the British!”

“Stay in the saddle, high enough for a good view, while the mare grazes.” Rachel Chowning dismounted. “I think we’ll be here a while.”

19th century painting of a warship
detail from “Combat De La Poursuivante Contre l’Hercule,” 1803, by Louis-Philippe Crépin (1772-1851)

~ still September 5, 1871 ~

On the cape to the SOUTH: Greenbrier, Cape Henry, Virginia

Boom!

Rachel Laws startled. Tea sloshed from her cup.

The parson’s wife gave a muffled yelp and clutched at her throat. “Oh my goodness, what was that? Oh my!” Another thunderclap followed hard on the first.

“I must be going now,” the 23-year-old visitor said, setting down cup and saucer, and rising. “I’ll just collect my children from the kitchen, and thank your cook for watching them.”

“But what was it?”

“Cannon fire.”

“Lord above! Who has cannons hereabouts?”

“I believe Cornwallis has one or two in his fort, although the direction seems off. Thank you kindly for your hospitality. I’ll just let myself out.” Rachel hurried down the hall.

Her four young children sat on the cool kitchen floor, cracking hazelnuts. Susannah, the five-year-old, pounded away like a blacksmith while Moses, age four, picked the nutmeats out. The two younger ones rolled nuts and giggled.

“Come,” Rachel said. “Time to leave. Thank Cook for tending you.”

“Thank you, Cook,” Susannah said, handing over her hammer, echoed by Moses delivering the nutmeats bowl. The two little ones scampered out the door with hazelnuts clenched in fists.

Rachel lifted her brood one by one into the pony-cart, climbed to the seat, and flicked the reins, clucking at the pony. They set off on the ten-mile journey home. The lane wound around the north end of Cape Henry, giving a view northwest towards Yorktown, and directly north onto the mouth of Chesapeake Bay.

Early afternoon sun warmed her shoulders, but the wind nipped at her face as Rachel gawked at the sight. Two lines of warships formed a great V, drifting slowly east toward the Atlantic. The leaders fired at each other. Gunpowder flashed. Smoke plumed.

19th century painting of the battle
Battle Off the Virginia Capes,” 19th century painting owned by the U.S. Navy; on display at the Hampton Roads Naval Museum in Norfolk, Virginia

While she watched, the mainmast of one British ship toppled, the sails luffing like wings of a downed bird.

“What’s happening, Mama?” Susannah asked.

“Our French friends are trying to drive off the new-come British.”

“Which is which?”

“See the flags? The white and gold ones, those are French. British flags carry a red cross on top of a white one on a blue field.”

“The new fort flies one of those.”

“Yes, but for how long, I wonder? Look! There are more French ships than British.”

Susannah cocked her head. “They’re all sailing out to sea!”

The middle sections of the fighting lines had come in range of each other and joined in the fray, though the last ships merely followed in the wake, still too far apart.

“Boom, boom!” the younger children yelled, jumping around in the cart and laughing.

Rachel lingered, watching the combatants heeling hard in the wind, heading for open ocean.

She glanced toward Yorktown, perched within its fortifications on the cape to the northwest. American and French troops still surrounded the British fort. “Aaron, are you among them?” she whispered into the wind. “Please write. Let me know how you fare.”

Her husband had vigor enough to last through most trials that came in a time of war, and a sharp mind to keep himself out of trouble. A natural leader, Aaron Davis might even have risen in the ranks by now.

“Boom, flash, boom!” Moses shouted.

“Wave goodbye to the brave ships now, children,” Rachel said. “Sit down. We’re on our way home.”


Extract from a dramatized history of my ancestors.

The Battle of the Chesapeake, also called the Battle of the Virginia Capes, went through hours of maneuvering before artillery actually engaged, the bombardment lasting two hours. A shift in afternoon wind favored the French. Sundown ended the battle.

For several days following, the two forces held a stand-off at sea. Then the British sailed back north to occupied New York for reinforcements. They returned in October, but too late. Cornwallis surrendered to the American and French forces on October 17.

It is only my conjecture that my ancestors Rachel Chowning and Rachel Laws went out to witness the battle. They did, however, live just to north and south of Yorktown, on capes that jutted into Chesapeake Bay — although the actual distances make it unlikely they could see much of the action.

“Chesapeake,” meaning “mother of waters,” was the name of the area as used by the Powhatan federation of tribes.

Details about the heat and prickly dry grass stubble: provided by my granddaughter who lived in Virginia from age 3 to 7. 😀


text: © 2022 Joyce Holt

artwork: 19th century century paintings. Public domain info here.