Outwait

ALFGIFU POINTED THROUGH THE UNDERBRUSH. “I see a hazel tree.”

“Not just one.” Rothmund ran ahead, lugging his bucket. “A whole grove! We’ll find plenty of nuts here.”

“What story shall I tell while we gather?”

“Beowulf!”

Alfgifu launched into the tale while they scuffed through duff beneath the trees, hunting for hazelnuts. “News spread far and wide about the troubles of King Hrothgar of the Dane-Mark. Every night a horrid monster rose from the marshes, broke into the king’s hall, and carried off a warrior to devour. None could stand against Grendel the terrible.”

“I bet I could have!” Rothmund tossed another handful of nuts into his bucket.

“Perhaps when you’re full grown.” Alfgifu went on with the tale about the young hero from across the channel who came to the aid of his father’s friend. When Grendel next attacked, Beowulf fought the monster. By incredible strength the unarmed hero ripped Grendel’s arm from his body. Now who was unarmed?

The monster fled back to the swamps, gushing its lifeblood with every step. It plunged into the mire and never rose again.

“Hrothgar’s hall rang with celebration for three days,” Alfgifu said. “The monster’s arm hung from the rafters, a gory trophy. Everyone thought their troubles were over. But the next night–” She broke off, turned, listened.

“You can’t scare me, sister!” Rothmund said. “I know what comes next. Grendel’s mother!”

Alfgifu cried out, “Danger! Up the tree, now!” She pushed him toward the sturdiest of the hazel trees.

He giggled as he climbed. “She was a huge, big monster. How high must we climb to get out of her reach?”

“This is high enough. Look!”

Painting of a boar, 19th or early 20th century
Boar,” by Niko Pirosmani (1862-1918)

A mob of wild boars burst from the brush, jostled, snorted, rooted in the duff.

“Hey! We weren’t done! They’re going to get our nuts.” Rothmund started down.

Alfgifu grabbed his arm. “Remember the scar on Papa’s leg? These Grendels might be small as calves, but they’re vicious, and you don’t even have a boar-spear.”

“I’ve got a knife!”

“So do the boars. See their tusks? They’d rip you open, like Beowulf ripped Grendel’s mother!”

“When will it be my turn to fight a monster? I want to be a hero, too!”

“You don’t have your man’s strength yet, Rothmund! And when a young hero-to-be doesn’t have might, he must use wits instead. Now be wise. Sit down. Want to hear about Beowulf and the dragon?”

“No.” He pouted.

“Or about Hengist and Horsa with their sleek longships, bringing the first Angle-kin here to Englaland?”

“No! Boring.”

Down below, two pigs scuffled, squealed, fought over a nut. Rothmund’s eyes widened at the sight of blood spilling.

“How about this.” Alfgifu showed him how to carve his name. While he worked, she kept an eye on the boars below, teaching him more runes from time to time.

The boars finally went on their way. Alfgifu stretched. “Now we can climb down and hurry home! Papa and Mama will be wondering where we are.”

“Read this first.” Grinning, he pointed at the runes carved in the bark.

Here Rothmund outwaited seven Grendels and their mother.”

“No, no,” the boy sputtered. “That’s not ‘outwaited’ — it’s ‘outwitted’!”

“By outwaiting, you outwitted. Very good, my wise young hero!”


Life in an Anglo-Saxon settlement

Tale set in Anglo-Saxon England.

Pronunciation of Alfgifu: Stress the first syllable; say the next two syllables lightly and quickly. The unstressed i and u are short vowels. The g is like y in yet. Each f is almost a v.

First posted on Hindsight on June 19, 2020.

text: © 2021 Joyce Holt

artwork: 19th or early 20th century artwork. Public domain info here.

Disenchanted

INGA WALKED TOWARD HOME, her basket empty. Sometimes after a spring storm she found piles of kelp, good for strewing on the fields. None today. She swept one last look at the empty horizon, then back to land.

She shaded her eyes. Who was that coming down the path from Vidareidi village?

Not who. What. The village sow. The lean old pig trotted along, her snout in the air.

Just this morning two villagers had bantered over that same sow. “I’m nearly out of bacon,” Bengt had said. “Not going to last until Curly-Tail’s next litter.”

“Never enough pork for you,” Iørn said.

“Where do you think she finds a boar to mate with? Not a single one on the island!”

“I have no idea.”

Everyone in the village shared in the pork come slaughter time. No one on Vidoy island had any clue where Curly-Tail ran off to every spring, but she always came back sassy, soon fat with another litter of piglets.

Now here came the sow, snuffling at a scent on the breeze, curly tail flicking in eagerness, beady eyes fixed on the sea.

19th century seascape painting
North Sea (sketch),” by Carl Bloch (1834-1890)

Inga glanced that way. Where moments before waves had smacked against sky, a billowy mist now glided like a ghost. An eerie sight out of legend. A magical floating island.

Inga dropped the basket. She patted herself, searching for metal. Iron breaks otherworldly spells and enchantments. Five iron keys on a ring, they’d have to do. She pulled the ribbon from her braid, knotted it to the key-ring, ran to cross paths with the sow.

Curly-Tail squealed displeasure when the woman grabbed her tail. “Just a moment, old girl,” Inga panted, hanging on, swiftly knotting the keys to the thin, bony curl.

The sow pulled loose and galloped into the surf. Off she went, swimming like mad, snout aimed at the drifting mist.

More fog rolled in, shrouding the distance, creeping up the shore. Inga shivered, picked up her basket, made her way home. What she’d say when her husband wanted use of the keys, she didn’t know. Had she guessed right?

Only a dozen paces along, Inga felt a change in the air. The fog shimmered, melted like shadows under a noon sun.

She found the village in an uproar. Lookouts had spotted an island unveiled by the dissipating fog. An island where none had been before. Villagers manned a boat and rowed out for a closer look.

Inga watched from shore as they returned, bellowing with laughter. Curly-Tail swam along behind the boat, tethered, snorting her annoyance to be hauled home again.

“The island is teeming with swine!” one boatman called out.

“A floating island!” another added. “But floating no more. It’s been disenchanted. By iron.” He held up the key ring.

“Who’s the quick wit who helped Curly-Tail break the spell and fix the island in place?”

Inga strode forward, her unbound hair tangled by the sea-breeze. “I’ll take my ribbon back, please. And my keys, thank you kindly.”


folktale from Vidoy, Faeroe Islands

text: © 2021 Joyce Holt

artwork: 19th century painting. Public domain info here.

Boar’s Lair

~ Celtic March: Ireland ~

Niall blundered through the woodsy night. Saplings whipped his face. Roots snagged his feet.

Ahead, dawn’s first glimmer shone into a glade. Niall plowed through a fernbrake and into the open. He scoured the dimly-lit ground, heaved a sigh of relief when he saw the hoofprints of his straying ram. “Still alive and on the run,” he muttered, and set off again in pursuit, glad it hadn’t been caught and gored by the monster.

Nor he himself either. Was it heroic or foolhardy of him to go chasing the ram in the wee hours while the great black boar terrorized County Kerry? His wife would choose the latter, no doubt, and give him a tongue-lashing when he returned home.

The scent of bruised herbs wafted the breeze. Marjoram. Freshly trampled marjoram. He was getting close. Niall moved slowly, quietly, needing to sneak up on the ram, not spook it again.

The forest cleared again onto a gully and a gurgling stream. Beyond loomed a cliff — the first knees of Torc Mountain, rising against the dawn.

19th century painting of "Torc Bridge" by local Mary Balfour Herbert.
Torc Bridge,” by Mary Balfour Herbert (1817-1893)

Something moved at the cliff foot. The ram? 

No. Not fleecy white. A shadow blacker than night.

Strangling on a breath, Niall hunkered behind a gorse bush, peering through the scrub.

The boar! It vanished into a crevice in the cliff. The footprints he’d been following all night — not the ram’s after all.

Niall gaped at the cavern mouth as dawn light grew. The boar’s lair. He’d found it. The locals could gather a mob now. They could trap the monster inside. Perhaps kill it. End the nightly rampaging.

19th century painting of a boar by Niko Pirosmani
Boar,” by Niko Pirosmani (1862-1918)

“Back to the village,” the farmer whispered to himself. He rose to leave — just as a figure emerged from the cavern. A two-legged figure. A man, who spotted Niall at first glance.

The shaggy black-haired fellow strode to the edge of the stream. “You didn’t see me,” he bellowed. “You will keep your mouth clamped shut and say not a word!” His voice dropped, low and gutteral as a boar’s grunting. “For your silence, you shall become a wealthy man. A very wealthy man.”

“Wh-what do I want with c-cursed riches?” Niall stammered, shaking his head, backing away.

“Cursed? You speak of cursed? What do you know of cursed!” The uncouth fellow raised brawny arms to shake at the sky. “Every night I must walk as a boar! Do not speak of cursed or I will rip you limb from limb!”

Niall glanced at the rushing stream, and downhill to a rude bridge. Evil beings could not leap water. He’d have a headstart. He turned and fled.

No footsteps pounded behind him. Instead a roar of fury swelled into a howl of thunder and a rushing of gale winds.

Niall looked back, tripped, fell.

A spinning ball of flame hurtled skywards. It flew higher than the cliff and vanished over its brow toward the heights of Torc Mountain.

Niall clambered to one knee, still staring at the cliff top. The ground trembled. The morning air shivered. A rumble sounded.

The trees at the brow quaked. A torrent burst over the rim, carrying mighty oaks and spindly pines to hurl at the ground below. Cliff face and debris and all vanished behind a thundering wall of waterfall, sealing away the entrance to the shape-shifter’s lair.

The great black boar never more rampaged through the fields of County Kerry.  

19th century painting of "Torc Waterfall" -- the site of the legend -- by local Mary Balfour Herbert.
Torc Waterfall,” by Mary Balfour Herbert

Folktale from Killarney, Co Kerry, Ireland

A retelling by Joyce Holt (c) 2021

Mary Balfour Herbert painted scenes from Killarney, County Kerry, Ireland, including these views near Torc Mountain, the site of the legend. “Torc” is Irish for “wild boar.

Watch for more Celtic folklore all through March!